Poor Christine Chapel! Now she knows what the audience has always known: her relationship with Spock is ultimately doomed. Plus a delightful mix of guilt and fear that she could unwittingly cause Spock to never measure up to the vague but crucial future that Boimler mentioned to her in the turbolift, simply by trying to make the two of them happy.

That suuuuuucks.

Of course Kurn is victimized by bad kerning.

I feel compelled to note that being promoted from Ensign (O1) to Lieutenant Commander (O4) would be a triple promotion, skipping both Lieutenant Jr. Grade and Lieutenant.

I thought this episode was fantastic.

The pacing was good, the interactions between Kirk and La'an were fun, and the closing acts were a real gut wrench. Being forced through such a traumatic situation and completely unable to talk with anyone about it is a piece of the time travel/Prime Directive secrecy that Star Trek hasn't really dug it's teeth into before, and there's clearly something very powerful to work with here.

Also, hilarious use of their immortal chief engineer. In retrospect, no surprise that someone in that position wouldn't maintain exactly the same hobbies and skills throughout the centuries, and also no real shock that this particular individual got her jollies stealing priceless artwork. And then arguing statute of limitations when she is challenged on it centuries later? Brilliant.

I do not give the slightest of damns about a TOS one-liner placing Kahn in the 1990s. This is a good story which wouldn't work properly otherwise, and that was a poor choice from writers who couldn't have possibly known better. Absolutely do not care, and so much happier for it.

After a fairly meh first episode, SNW S2 has reeled off a pair of real bangers. Looking forward to the next installment.

You realize that ChatGPT has no concept of "true", right? It produces output which looks coherent and reasonable and tends to stumble into truthful statements on accident, by virtue of drawing from a dataset of people saying mostly true things. Of course, the bot is equally capable of spouting off outright lies in an equally convincing manner.

This is a very unreliable way to verify a surprising fact. I strongly recommend against it.

Much to my own surprise, I'm a complete sucker for this budding Spock/Chapel romance. I just want these two beautiful people to be happy together, damn it! We all know it's doomed, unfortunately, and I hope that whatever inevitably destroys it doesn't turn out to be too painful for the characters involved. Spock and Chapel are obviously not engaged in a romantic relationship in TOS, most obviously in Amok Time when such a pairing would have rendered the entire story trivial.

Someone mentioned in a previous thread that Spock's Pon Farr (seven years before Amok Time) is closing in. I was skeptical in that thread that they would choose to touch on it then, but the events of this episode do make that seem quite a bit more likely, if (again) increasingly difficult to square with Amok Time.

Touching on the actual character moments for a bit here: the events of this episode do not reflect well on Chapel.

She'd been hitting on Spock literally since the beginning of the show, and openly pining after him for most of that time. Four episodes ago, she winds up breaking down in tears explaining to an alien telephone receptionist how much she cares about him. Two episodes ago she is extremely distraught when Boimler accidentally lets slip that Spock is famous in the future, and her relationship with him almost certainly will not last. And now, she gets into a three month fellowship that she didn't think she had much of a chance at, doesn't say a word to Spock until she has no other choice, and then busts out a (involuntary, but reflective of genuine emotion) musical number about how "free" she feels. What the hell.

We already know Chapel has some problems with commitment, but this is a whole 'nother level. Throwing away a relationship she spent most of this show obsessively wishing for, without any apparent consideration for Spock's feelings or non-breakup solutions to spending a couple months apart, is just wild. I'm sure the finale will touch on this with a little more nuance than a musical number was likely to give, but whatever else is said this is not a good look.

There are relatively few direct references to Discovery in Lower Decks. More importantly, you'll enjoy Lower Decks even if you don't notice or "get" a handful of references.

Lower Decks isn't good because it references older shows, it's good because it's funny and you care about the characters. There are people out there watching it and loving it with minimal or no prior Trek knowledge.

I remain amazed that many people insist that T'Kuvma and company are irreconcilably different from the TNG era portrayals. These are big, carnivorous-looking aliens with prominent forehead ridges and significant individual variation in appearance. They're different in some small details, like the extra nostrils, but outside of the most extreme visually literalist stance, is it really that hard to square these guys against Chang, Martok, and Worf? Replace the shine and detail with a classic rubber mask, silicon makeup, and matte brown body paint in exactly the same head and body shape, stick them at a side table in Quarks circa S6 of DS9, and I challenge you to notice anything amiss.

What this rework did do was make them feel so much more alien, and so much more dangerous. They outright eat people, which was occasionally hinted at but is noted far more literally in Discovery, and very, very easy to believe looking at these guys. I wish they hadn't backpedalled so hard with a return to the 1980s makeup in SNW 2x01, because I would have loved to see these monsters chumming it up with Spock: that scene would immediately have been slightly more unsettling, bringing the audience closer to what Spock and his crew are likely feeling about their momentary drinking buddies, instead of the much more casual feel we got from Klingons who look just like our old friends from DS9. These guys are still dangerous aliens whose friendliness is tenuous and temporary; they would literally eat Spock if circumstances were slightly different. We shouldn't forget that.

Well, the previously inexplicable "inject a bunch of drugs to fight Klingons" scene in the season opener has suddenly paid off.

I have little to say now except that this episode was a seriously heavy hitter. Just... wow. And ouch.

This was an absolute gem. I don't have much of substance to add just now (except that those dress uniforms are very nice), but after being on the whole disappointed by the season opener I am extremely pleased with this episode. Definitely one of the strongest in the show so far, which is no small feat.

We see people enslaved in mines for lying about being a couple to get a discount at a restaurant!

I do wonder if that was actually an arranged bit of entertainment, with the (alleged) punishment trumped up for the sake of it. Ferengi do like to put on a show.

Felt a bit too obviously like mid-season filler or something. Though I didn’t hate it.

As far as I'm concerned, the weakest parts of the show were the parts that tried the hardest not to be "mid-season filler": creating and resolving the doctor's insane daughter-in-transporter-buffer situation, trying to set up a future "big bad" situation with Sybok, etc. I was very concerned from Alex Kurtzman's description of this current season many months ago that they might have learned the wrong lessons from the first season, but thank goodness that they seem to have stuck with what made the first season good: brilliantly executed character driven episodic storytelling.

It's because citrus at high concentrations kills earthworms. Citrus in compost in normal quantities relative to other compostables seems to be fine, but you shouldn't be trying to compost a huge pile of just pulp and orange peels in your back yard.

As for why this worked here, I'm sure there are a whole lot of things that aren't earthworms living in a formerly rainforested spot in Costa Rica which can break that stuff down over 15 years.

This was an excellent finale (as all four of them have been, not at all a given with modern Trek or frankly modern television in general), and fully justifies the somewhat weaker setup episode before it.

"A paywall on a bomb?" might be the best joke this show has delivered in it's whole run. I don't often crack up while watching these episodes, but this one really got me. At the very least it's up there with "It's a bomb! You can only use it once!" from Wej Duj. I'm sensing a pattern.

In more typical lower key Lower Decks humor, Boimler and Rutherford arguing about if Locarno looks like Tom Paris was excellent.

I do wonder what the plan is with Tendi. We've seen supposed major shakeups like this dropped into previous finales, of course, with Boimler leaving the Cerritos for the Titan at the end of season one and Freeman getting arrested at the end of Season 2, which were quickly reverted in the first few episodes of the subsequent season. Odds are that's the play here. I hope so, because losing Tendi would suck. She's a delight.

Why was Boimler the acting captain when the command staff took off on the captain's yacht? There was a full Lieutenant right behind him on the bridge, and surely tens of others on the ship who are more senior and more qualified. A little bit of a main character boost there.

The "Riker Maneuver" blooper absolutely killed me.

This is a major milestone guys. Our first troll!

M'Benga has compiled a hell of a list of justifications for getting demoted already, and (obviously) none of them have actually got him in trouble just yet. Secretly keeping his daughter in the transporter buffer, carrying super soldier serum about his person at all times, killing a Klingon ambassador... suffice to say he's a bit of a wildcard.

There's a lot more to successfully finding and maintaining romantic relationships with women (or anyone else) than showing bare minimum levels of respect, and assuming otherwise is both counterproductive and offensive.

I dislike cringe humor and watching characters be uncomfortable, so I didn't love the Rutherford/Tendi plotline, but there were enough cute moments in there to make it worthwhile. It feels like the show is openly baiting "shippers" at every opportunity, and this is the most flagrant example yet.

With that said - and making no claims about if romance is in any way necessary or inevitable here - these two being so close is adorable.

For a therapist, Migleemo is either really bad at reading other people's emotions, or deviously brilliant at appearing clueless. Possibly both?

I appreciate the continued development of Mariner as a person who keeps getting in her own way, slowly coming to terms with that and trying to figure out what to do about it. It's a problem I don't relate to at all in the specifics, but the more general "why do I keep doing this" is very easy to connect to, and I know I'm not alone in that. Her Ferengi friend laying it all out for her here seems like an important step, and I wonder where she's going to turn next.

This probably deserves a deeper dive at some point, but the further we go the more I see Mariner's path as a more realistic and relatable trajectory for Michael Burnham to have taken. Both are superbly talented people capable of great things. Both are also reckless, supremely overconfident in their own judgement, and prone to self destructive behavior, all of which combines to put them and those around them in dangerous situations. Burnham in S1 right before the Mirror Universe jump and Mariner in the first episode of Lower Decks are in fairly similar places, both having been recently bumped down from more senior positions due to major fuckups. This is where their paths diverge: both continue to display all the behaviors that got them in trouble, but Mariner remains a lower decker on relatively unimportant assignments, with both her strengths and weaknesses clearly recognized by her superiors. Burnham, meanwhile, is fully returned to her previous high station and even promoted beyond that because her most problematic behaviors are improbably rewarded by a universe which places her in the middle of multiple extraordinarily significant events. I strongly related to S1 Burnham, and really wanted to see her grapple with her weaknesses and develop into a better person and officer over time. I didn't get that opportunity, but Mariner gives a second chance at telling that slow-burn story and thus far, Lower Decks has done very well with it.